J'aime bien "Game and Performance" : http://www.youtube.com/watch?v=5SOGIYFcwyM... Pour ce que je connais du reste: un poil trop sucré pour moi.Quoique je jetterai bien une oreille aux démos si le son est un peu plus brut... t'as ça en vinyle ?
Zeni Geva - Freedom Bondage (1995)
Kilimanjaro Darkjazz ensemble - here be dragonsJe sais pas si du monde connait, mais bonne surprise pour ma part, vraiment bon skeud ambient / idm / expe / tout ce que tu veux...
Jason Kahn and Jon Mueller - Papercutshttp://www.croutonmusic.com/wp/2007/10/13/crou022-jason-kahn-and-jon-mueller-papercuts-cd/super classe! Citation de: "fakejazz.com"Jason Kahn and Jon Mueller are primarily percussionists, though this release finds them utilizing materials far removed from drums or other common percussive implements. On Papercuts, Kahn and Mueller use only paper to create sounds, in a sense, continuing their percussive exploits, though in a far different manner. A large array of paper was used in order to diversify the sounds the duo could get from their instruments, and the resulting recordings were mixed first by Mueller before entering a process of four separate mixes, ending with a final revision by Kahn.Papercuts, just over eighteen minutes in length, is built on an ambient shuffling and rustling, a miniature rhythmic progression. This busy hum subtly forms the backbone of the disc, creating the quiet fluttering canvas that could be the tiny sounds of a million mosquitoes' wings, or a gentle rainfall. Kahn and Mueller make use of more easily recognizable sounds as well, found more in the foreground of the mix. The sounds of rubbing the surface of the paper, as well as folding and crinkling it, rise over the paper's more camouflaged timbres, like covert field recordings made on the surface of a busy executive's desk. The music is still relatively steady in dynamic, with even the most obtrusive sounds falling well within the range of the piece's original ambience.Papercuts is an oddly alluring recording. The everyday nature of Kahn and Mueller's implements is surely part of the disc's draw, but its worth isn't in novelty alone. The results of the duo's work is an engaging and enveloping electro-acoustic exercise; music that demands the attention of the listener, and fully rewards it. Rarely does an album with so interesting a conceptual base result in music that so successfully transcends any quirks of its creation. Papercuts is one such album, and another excellent addition to Crouton's catalog.
Jason Kahn and Jon Mueller are primarily percussionists, though this release finds them utilizing materials far removed from drums or other common percussive implements. On Papercuts, Kahn and Mueller use only paper to create sounds, in a sense, continuing their percussive exploits, though in a far different manner. A large array of paper was used in order to diversify the sounds the duo could get from their instruments, and the resulting recordings were mixed first by Mueller before entering a process of four separate mixes, ending with a final revision by Kahn.Papercuts, just over eighteen minutes in length, is built on an ambient shuffling and rustling, a miniature rhythmic progression. This busy hum subtly forms the backbone of the disc, creating the quiet fluttering canvas that could be the tiny sounds of a million mosquitoes' wings, or a gentle rainfall. Kahn and Mueller make use of more easily recognizable sounds as well, found more in the foreground of the mix. The sounds of rubbing the surface of the paper, as well as folding and crinkling it, rise over the paper's more camouflaged timbres, like covert field recordings made on the surface of a busy executive's desk. The music is still relatively steady in dynamic, with even the most obtrusive sounds falling well within the range of the piece's original ambience.Papercuts is an oddly alluring recording. The everyday nature of Kahn and Mueller's implements is surely part of the disc's draw, but its worth isn't in novelty alone. The results of the duo's work is an engaging and enveloping electro-acoustic exercise; music that demands the attention of the listener, and fully rewards it. Rarely does an album with so interesting a conceptual base result in music that so successfully transcends any quirks of its creation. Papercuts is one such album, and another excellent addition to Crouton's catalog.
Detroit In Effect ( Detroit Party Train ) fucking electro! ça donne envie de se trémousser!
